The narrative line of the project is the spatial dynamism.
The reference is the sculpture. I consider this work to be a reflection on the order of the movement, the symmetry and the asymmetry. For example, the use of the modulation of the two-dimensional layers in the monochrome for the false ceiling. The torsion of the volume of the cashier’s desk. The concave, the convex, the axis inclined towards the wall. All this describes the intention to use light as the medium that reveals the energy of the space. My propensity to handle surfaces as a synthesis between the sculpture and the picture denotes the interest in the research of sensible surfaces. The interest in the visible and the invisible of the form. The balance. The unity.
When I observe one thing for a while, I carefully study it in its small details. And the feeling of comprehension becomes deeper and deeper, and then I notice that I am to meet something strange to me and I do not know how to explain. Intuitively I understand that it requires much attention to select thoughts and give answers. Now, it has become clear to me, that a project always remains uncompleted and remains a unique happening.